So you probably know by now that season 10 is up and running and there have been some amazing camera-trap images uncovered already. As well as a few lounging lions and wandering wildebeest there have been some stunning aardvark and wildcat images.
This season has turned up quite a few images with a central square that is brighter than the rest of the frame with a luminous look. These somewhat Warholesque images look as though they have been photo-shopped and I love them. Here are just a few. My favourite is the zebra, its perfect.
Obviously these are not some new form of art but have a more down to earth source; a malfunction with one of the camera trap types. A patch provided by the manufacturer restores the image to normal which for scientific purposes is very good but from the purely aesthetic side its kind of sad, I like “The Square”
Here is another pair of antelope that are often muddled up on Snapshot Serengeti; topi and hartebeest. These two share a similar size and body shape and for those of you not familiar with them they can prove a bit tricky.
Topi and hartebeest belong to the same tribe, Alcelaphini, which also includes wildebeest. These antelope typically have an elongated face, long legs, short necks and stocky bodies. Although these antelope have reasonably large bodies their long legs mean they have retained the ability to run fast, a good adaptation for life on the open plains. It is believed that the long face developed in place of a long neck in order to reach the grasses they consume.
There are several species of both topi and hartebeest in Africa, two are found in the Serengeti. Coke’s hartebeest or kongoni (Alcelaphus cokii) are selective grazers with browse making up less than 4% of their diet. Serengeti topi (Damaliscus jimela) are 100% grazers
In both species males are territorial but topi also form leks from which to display to passing females. Males holding territory close to the lek are more desirable to females. Dominant females will actively prevent subordinate females from mating with these males.
So side by side we can see that the topi is much darker coloured than the hartebeest with distinct sandy socks up to its knees and conspicuous black patches on the thighs and shoulders. In contrast the hartebeest has pale legs and underbelly with a darker upper body. The paleness forms a patch on the top of the thigh.
From behind the contrast between leg colour and backside is very obvious with topi sporting dark legs with pale rump and back and hartebeest pale legs and rump with dark back.
Horn shape is also different. A topi’s horns sweep up and back whereas a heartebeest’s sweep out to the side before kinking back. They also sit on a prominent bony ridge on the top of the head.
Hopefully this will help you tackle all the images waiting on season 10.
The Zooniverse team are super busy at the moment but hopefully very soon season 10 will be loaded and we can all get cracking with what promises to be a fantastic season full of amazing images.
In the meantime I thought I would post a few notes on those tricky animal pairings that seem to have more than a few people stumped when trying to id them.
To kick it off we will look at Grant’s gazelle and Thompson’s gazelle. If you were treated to perfect photos every time I think you would get the hang of these two pretty quick but with the often blurry or distant images we get on snapshot they can be tricky.
Grant’s gazelle A Thompson’s gazelle A
A; First off there is the overall colouration. Thompson’s has a thick dark stripe across its side, Grant’s usually lacks this but be aware as some Grant’s have a dark stripe too. Not the best distinguishing feature as there can be quite a bit of colour variation.
Grant’s gazelle B Thompson’s gazelle B
B; A better distinction is the facial markings. Grant’s gazelle has a thick black stripe running along the side of the face from the nose passing through the eye to the base of the horns giving a masked look. Thompson’s has the same stripe but it ends at the eye, not passing through. The white band on top of the black stripe is more distinct on Grant’s.
Grant’s gazelle C Thompson’s gazelle C
C; If you get a back-side shot then Grant’s displays a much whiter overall appearance with the white area extending past the root of the tail up onto the back. In Thompson’s the white area stops at the root of the tail. Grant’s tail is white at the root and thin with whispy black end, Thompson’s is dark and fluffy looking. The black vertical bands in Grant’s are also more prominent.
Grant’s and Thompson’s Gazelle
Photo NH53, Flickr (https://creativecommons.org/licenses/by/2.0/)
In a mixed group the smaller size of Thompson’s is evident, although with young animals it is not so obvious. Here you can easily see most of the features discussed above with the Grant’s gazelle comprising the 7 animals to the right back and the Thompson’s gazelle to the left forward. Note the Grant’s gazelle side on at the back, it shows a much darker side stripe than the others more a kin to Thompson’s. Males and females of both antelope have horns with the females usually shorter and thinner. In some females horns are absent. In general Grant’s are more graceful looking than the stocky Thompson’s.
Now that we have finished classifying season 9.5 and we have a short break before season 10 is launched I thought I would muse a little on my favourite wildlife setting; Rivers.
I live in South West France next to a river. Its gentle passage demands my attention constantly. That’s because rivers are magnets to wildlife. Everything needs water to drink and in a dry area it means your best chance at seeing wildlife as they come to drink.
In Africa too, I lived by a river and what a special place that was. The Oliphants, sometimes a trickle sometimes a violent torrent, flows into Kruger National Park and I was lucky enough to live on its banks for 4 years. I could watch the daily spectacle of life unfold from my stoop. I watched baboon troops clash viciously, hippo’s endlessly dose, leopards stroll the beaches, fish eagles catching supper. I once watched a four meter long rock python ascend the cliffs opposite effortlessly and I followed the progress of a family of spotted eagle owls on a nest in a crevice, worrying absurdly when the river began to turn chocolaty and rise. They survived but I was ready to brave crocs and hippos and swim over to rescue them.
You can watch for hours and see nothing then turn your back for a second and suddenly 5 kudu have appeared out of nowhere. One early evening I sat watching, all was quiet except the birds calling in the bushes. It was approaching the hour that nightjars start to sing. All of a sudden the shrill nasal alarm snort of a Klipspringer rang out quickly followed by the outraged screaming of vervet monkeys. Grabbing binoculars I focused on a blur on the rocks opposite in time to see a klipspringer launch itself off landing with an almighty splash in the river. A leopard came to a screeching halt on the rocks not wishing for a swim. The river meanwhile was flowing pretty fast and I thought the klipspringer, more suited to rocky precipices than water, would drown. Amazingly the stout little antelope managed to swim to the shore and clamber out, shaken no doubt but alive. I often wondered if he ever made it back to his side of the river.
A stroll down the beach was always an education. The damp morning sand would show who had passed previously and was great for practicing tracking skills. On one such stroll I noted an absence of leopard tracks on my outward walk only to discover on my return journey that a leopard had left its mark on top of my foot prints; a little disconcerting.
The river, for most of the year, retreated to the deeper channels leaving a boulder strewn sandy beach lined with large trees such as sycamore figs and marulas. During the driest part of the year we really felt our connection to the great Kruger Park. Our reserve was quite small by African standards and did not have elephant or lion resident but during the dry period elephant would take to wandering the river course right out of the park and would spend a few weeks looking for food on our reserve before wandering back to the park. Lion too followed this same route and it was always a thrill to double take on a seemingly large leopard print only to realise it was in fact a lion.
The other end of the scale came with the rains. The river could rise meters in minutes turning a deep chocolate brown. The force of its passage was astonishing, great trees would be swept down, I have seen cars and sofas swirl by. Most of the animals that live in the water seem to get out whist the storm passes but I watched a hippo once in the full force of the raging river and I suspect that it wasn’t by choice that he was in there that somehow he couldn’t get out.
So benign or raging, highway or refuge the river is like an anchor to wildlife. The chance of seeing wildlife there is strong but even if you don’t they are intrinsically beautiful places.
Recently, as those of you who follow will know, I have been talking about the different people who work for the project in Tanzania. Reading about their daily lives working in ecology and conservation is about as close to visiting Africa as many of us will get. Their lives seem so fascinating I think because they are so different to most of ours (though that is a bit of an assumption of course!)
I talked to Ozward Nzunda, one of Dr Michael Andersons Tanzanian field assistants in the Serengeti. Michael’s project looks at vegetation and the interactions between herbivores and their savannah habitat. In order to study this a wealth of environmental data is needed and of course Michael, like many professors, is not based in the Serengeti. He relies on Nzunda to keep things running whilst he is not there. I asked Nzunda about his work and what it was like living in the famous Serengeti National Park.
He told me that most of his work in the field involves the collection of data from all over the study area. There are camera-traps that are checked once a month in order to down load the data and check for any maintenance issues. This is the data which we are busy classifying now on season 9.5. He must also collect weather and soil moisture data on a monthly basis in preset locations. He has to install the weather stations and soil moisture sensors and keep monitoring them until the data is collected. These jobs take up most of his time but he also has the unenviable job of keeping the project vehicles running. Tree and seedling surveys are done on a yearly basis.
So how does he manage all this and what does he think about it?
He told me that the days are long in the field, the drive to the study plots is long and so a lot of time is spent in cars and when you get to the study plots there is a chance you won’t be able to get out the car to do anything. Many a time he says, he has arrived to find lion sleeping or with a kill near his plot and is forced to wait for the lions to leave or move on to another plot. Of course so much time in the field also means he gets to enjoy seeing lots of game on a regular basis.
The study is a continuous study and that means that the data must be collected come rain or shine and in the wet season that means mud. Nzunda told me that the hardest part of the job is wet season driving when you can easily get stuck in the black cotton soils. The mobile signal is poor, as you can imagine, in the park and he has been forced to sleep in the car on occasions until help arrives the following day.
In fact he says they regularly camp out in order to visit the remoter plots and has some interesting stories to tell. Camping in an area with a full complement of wild animals is not for sissies! But on this particular occasion it was the ants that kept them awake. A swarm of biting ants invaded the campsite and had them jumping up and down, shaking out clothes and acting like mad men until they finally left. Itching and scratching they finally got to sleep only to be woken up a few hours later by a rampaging hippo careening between their two tents. Now a canvas tent is no match for a hippo but luck was on their side and the hippo kept running and didn’t return. He says he will never forget this night and they named the campsite “one eye open and one eye close” in honour of the fact no one really slept that night.
His family and friends think he is mad for working alongside wild animals, they think only of the risks but Nzunda loves the challenges field work brings and says that the Serengeti is a beautiful place to be.
Life in the field can be a little lonely. His family live almost 1000km away and he only see’s them about once a month if he is lucky. But they are all accepting of this and are happy. A good job is worth it. He prefers the park saying it is a very good place to live, far better than town where there is too much noise and pollution. He gets his fill of social once a month when he leaves the park to go on a shopping trip for supplies. The rest of the time there is a small shop that caters for the parks staff and resident researchers and the little community gets by fine.
So we all know there are millions of images on snapshot Serengeti and that it is us citizen scientists who do all the work classifying them. The scientists can then get on with the task of figuring out what’s going on out there in the animal kingdom, hopefully in time to save some of it from our own destructive nature.
But… have you spared much thought as to how the images go from over 200 individual camera-traps dotted around the Serengeti to the Zooniverse portal in a state for us to start our work.
Firstly the SD cards have to be collected from the cameras and as this is an ongoing study replaced with fresh SD cards. This is done about every 6 to 8 weeks. A camera traps batteries can actually go on performing far longer than this but as the field conditions can be tough you never know when a camera may malfunction. This time frame is a good balance between not ending up with months worth of gaps in the data and not spending every minute in the field changing cards.
The team are able to check about 6 to 10 sites a day so with 225 cameras in play it takes around a month just to get to each site. Mostly the cameras are snapping away happily but there are always some that have had encounters with elephants or hyena but actually some of the most destructive critters can be bugs, they like to make nests of the camera boxes. As well as checking the cameras themselves the sites need to be cleared of any interfering foliage, we all know how frustrating a stray grass blade can be.
So with a hard drive full of all the data it then has to wait for a visiting field researcher to hand carry it back to the University of Minnesota, USA. It means the data is only received every 6 months or so but it is far safer than trusting the post. Once safely received it is up to Meredith to start the painstaking work of extracting the date time stamps. As sometimes happens there are glitches and she has to fix this by figuring out when the camera went off line or when capture events got stuck together. She says it is much like detective work. The images are then assigned codes and stored on the Minnesota Supercomputer Institute (MSI) servers.
Once it is all cleaned up and backed up it is sent to the Zooniverse team who then format it for their system giving new identifiers to each image. Finally it is ready for release to all the thousands of classifiers out there to get to work on.
So as you can see it really is a team effort and a massive under taking. It is no good collecting tonnes of data if there is no one with the time to do anything with it. I will take this opportunity again to thank you for all your help with the project. Keep up the good work.
Fire ecology is a fascinating subject. I always get a bit of a buzz when I find a fire image in Snapshot Serengeti. Fire is a major component of savannah ecosystems and the grasses and trees within them have evolved along with fire, some to such an extent that they cannot exist without the occasional burn. I will return to this topic in a future blog but for this week I want to recount my personal experiences of the fire season in a remote Central African nature reserve.
As the dry season progresses the deep verdant greens start to fade to yellow, the temperature mounts into the high 30’s and the strong Harmattan winds pick up. The landscape is a mosaic of tall savannah grasslands divided by fingers of thick lush riverine habitat. The climatic conditions bring violent lightning storms which, given the tinder dry grasses, can trigger natural bush fires. Of course this process is random, not every patch of grass will burn every year unlike the human induced fires that sweep this part of Central African Republic year after year.
Historically this area saw very little pastoralist activity due to the tsetse fly (lethal for cattle) but in recent years Sudanese cattle herders are flocking to the area during the dry season driven by increasing desertification in Sudan and availability of medicine to combat the effects of tsetse fly for their cattle. They set light to every bit of grassland in order to make movement easier creating a green flush for their cattle to feed on and to make hunting for bush meat simpler.
Each day our plane goes up searching for signs of the approaching herders. We all anxiously scan the horizon for signs of smoke. The weeks drag on like this with everyone under a nervous tension waiting, waiting for something to happen. One day the pilot returns having spotted a huge fire to the north and just like that it has started. Every flight brings more fire reports and we see a daunting change in the clearness of the air around us. Sitting in the central base looking at the fire map it seems we are now surrounded by either fires or herds of cattle numbering in the thousands. With the scent of scorched vegetation getting stronger by the day things start to feel very claustrophobic.
By night we see an ominous glow to the horizon as the distant fires glow and we dread the change of wind that could bring the wall of flames towards camp. We have a wide airstrip almost a kilometre long so I know that we will not be in danger of being burnt alive but it does not quell the primal fear.
The day I have been dreading finally comes. Fire is spotted 5km from the camp and it is racing towards our fire break, a team rushes out to light a back burn to try and stop it in its tracks but the wind does us no favours and within hours we can see the flames as they burn behind the camp perimeter. I am feeling panicky but although it looks like Dante’s inferno the danger has passed as the fire makes its way along the north side of the airstrip. Then disaster strikes the wind, capricious as ever, changes direction just as the fire reaches the end of the airstrip and a great gust of hot ash and embers jumps the fire break and the fire starts racing up the south side of the airstrip. And all hell breaks loose; we never expected it to get into this block. The fire is now making a bee line for our temporary accommodation camp and my own tent. Never have I run so fast, 400 meter sprint in 40 degrees heat in a herculean effort to reach my tent and evacuate my worldly goods. I wrench open the canvas and start madly flinging stuff into bags, meanwhile some clever person arrives with a wheel barrow and we start moving the bags to the safety of the airstrip.
Once everything is safe I sit down and watch the chaos from atop my possessions. It is a scene out of apocalypse now. There is a helicopter and cargo plane belonging to the American Special Forces grounded on the airstrip. Smoke rises in front of me like a billowing curtain, our staff are running around beating out flames as they try to control the back burn. In the midst of this someone brings me a very angry chameleon, rescued from the path of the flames. There are gun shots ringing out from the Ugandan army camp who, instead of helping us, are trying to shoot rabbits and other small game as they dart from the onslaught of flames. Our guys win the battle and the fire comes to a slow stop just 70 meters from my tent. My heart has calmed down now but it is with sadness that I look around me at the blackened ground. I wonder how many chameleons and other small creatures lost their lives in this battle.
That night I slept once more in my tent. I lay there watching the beautiful glow of the fire through the trees, looking just like a glowing sunset. The spitting of flames and the cracking of exploding trees reminding me of the truth but the fire was on the other side of the strip of riverine trees and I knew its rich damp interior would keep me safe as well as countless other birds and animals that night.
Click here to see drone footage of the fire heading towards camp. https://youtu.be/WtRj8u7vEts
In my last blog I mentioned Ingela Jansson and the KopeLion project and promised to tell you more.
Ingela spent three years working for the Serengeti Lion project as a research assistant monitoring lions in the Serengeti National Park as well as the Ngorongoro Crater. Although working in the park was an amazing experience it was the work she did in the crater area that was to prove a more urgent calling. The very real conflict she saw between humans and lions persuaded her that if someone didn’t do something the Ngorongoro lions were headed towards extinction. And so KopeLion project was born in 2011.
The Ngorongoro conservation area was gazetted in 1959 and designated a multi use landscape. The pastoralist population were permitted to continue living there alongside the wildlife. Since this time the population has risen 10 fold and the once harmonious coexistence with lions has collapsed. Lions have disappeared from much of the area and the connection to the Serengeti lions is all but extinguished.
Enter KopeLion. The project aims to foster human – lion coexistence through community engagement, science and mentorship. One of the most successful outcomes so far is the recruitment of former lion hunters as lion protectors, we heard Roimen’s story last week.
But just how do you ‘engage with the community’ to try and change their minds about living with a dangerous predator. Well KopeLion do this in many ways. Firstly most of the employees are local which means they already have the community’s ear. To the Maasai their live stock are sacred so KopeLion spend a lot of time trying to reduce lion conflicts. They follow the model developed by Lion Guardians Ltd ( http://lionguardians.org )by helping local herders to build sturdy bomas, searching for missing livestock, treating injured livestock and warning herders when lion are nearby. The lion guardians or Ilchokutis are assigned an area of between 60 and 200km2 where they monitor lions or signs of lions scientifically. They also try to prevent young warriors or Morani from carrying out lion hunts. Part of their role is as mentors to the younger generation.
The Maasai still hold strong traditional beliefs and have strong community ties, recognising and embracing this is one of the reasons for KopeLion’s success so far on its mission to help humans and lions live in peace. The strong local ties mean KopeLion have won trust amongst the local herders and in 2016 they were able to stop more than 20 lion hunts from going ahead and have seen the evidence that their efforts are working in the fact that two of the monitored lion prides now show complete survival.
Ingela and her team at KopeLion are doing such valuable work that I urge you to head over to their incredibly informative website to read more about it.
Over the next few months I would like to bring you a few blogs about the many people that work to make Snapshot Serengeti possible. Without them there would be no data for us to pour over but what exactly do they do and who are they?
Dr Michael Anderson is currently in the Serengeti collecting data and checking up on how the various projects that make up Snapshot Serengeti are getting along. As part of the projects commitment to engaging with the local community Michael has begun a National Geographic funded intern program. Its aim is to give young locals valuable training and research experience in the fields of ecology and conservation.
The first student to be taken up on the program is Roimen Lelya Olekisay. He is a Maasai from the Ngorongoro Conservation Area. His story highlights why the intern program is a vital part of both the scientific and conservation work we do. Many local people see wild animals as a threat to their own domestic stock as well as themselves and retaliatory killings are common. Living alongside wildlife is not easy. Without the good will of the local people it is very hard to change their attitudes to the work we do and the animals themselves.
Roimen grew up on the Western slope of the Ngorongoro crater, his family, like many Maasai are herders. As a young boy he roamed all over the Ngorongoro protected area (NPA) with the family livestock. The Maasai are permitted to live in the NPA where they can graze livestock but are not allowed to cultivate the land. Roimen spent two years away at secondary school before returning to the family to continue herding. This is a familiar story for many Maasai. The importance of livestock is paramount and many boys do not complete schooling.
As a young warrior, like many his age, Roimen speared and killed at least three lion. Tradition dictates that young Maasai warriors must kill a lion to become a man. He would have maybe carried on killing lions whenever he perceived a threat to his family’s livestock but he met up with Ingela Jannsen’s group Kope Lion Project in 2013 who work in the area trying to mitigate lion/human conflict. He helped fit a radio collar to a lion and this interaction with the king of beasts up close transformed him from a lion hunter to a lion protector. He became one of Ingela’s lion scouts (more about Ingela and the Kope Lion Project in next week’s blog) recording predator-livestock attacks in the conservation area and working to prevent lion conflicts and hunts. His enormous enthusiasm for lions and their research makes him a perfect candidate to further his scientific skills. This is someone with a natural ease and interest in the wildlife around him and its preservation.
In his new role as the first intern for the National Geographic-Serengeti National park program Roimen will be tracking lions and setting up a camera-trap network that hopes to dissuade human-lion conflicts and generally learning all the scientific skills associated with this work. He has just started and will be with us for six months, hopefully we can catch up with his progress in a few months.
Photo’s curtsey of Ingela Jannsen and KopeLion project
This past week I have been trudging up and down boggy slopes with armfuls of tree protection tubes, posts, tools and finally trees as part of a reforestation project in the Lake District National park, UK. With storm Doris fast approaching it has been a miserable week and my mind has often wandered over to snapshot Serengeti for some light relief.
The job I am doing, trying to help mitigate the over grazing of sheep and deer made me think of Michael Andersons work that has provided us with the images for season 9.5. He has written here about the project to study how herbivores affect vegetation patterns and you will have seen the enclosures around his experimental plots.
Some people have found that the images from this season are not quite as good as in previous seasons, they seem to be a bit fuzzy in places and there are a few less lions. On reflection though it does seem to be producing a lot of my favourite images, those taken during dusk and dawn when the camera is not quite sure if it is day or night and ends up taking a black and white daytime shot. These pictures can be quite exquisite and have the feel of being completely composed by a top photographer rather than just a random event.
Here are some of my favourites.
It is a good reminder to us all that although we are all waiting to discover that one truly great animal capture and it is gratifying to classify the more unusual beasts the aim of the whole project is science. Back in the old days of Serengetilive the classifying was done one camera roll at a time. Sometimes I would sit and classify 2000 capture events of….. grass. Seriously, you would be luck to maybe get a passing bird but it had to be gone through just in case the last couple of shots were of lion. At least with Snapshot Serengeti the pictures are randomised so you get shots from a mixture of cameras rather than being stuck on a tedious one.